Archive for liquid enamel – Page 2

Enamels On and Off the Body – with Jennifer Wells

 

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In this workshop we will use wire and a variety of enameling techniques to create two very different kinds of work: unique sculptural jewelry, and whimsical wall pieces.

For the jewelry, we will create complex dimensional pieces by pairing simple backings with enameled shapes of fine iron wire that we have formed and then enameled with liquid enamel. This process, which Wells has perfected for her own work, makes striking jewelry, as the lines of the enameled iron wire contrast beautifully with the monochrome colors and shapes of the flat pieces.

For the wall pieces, we will focus on line and color to create works full of color and subtle complexity. Working on flat copper sheet, we will make lines by using sgraffito in liquid enamel and pencil drawing on enamel applied to the surface, and achieve complex color layering through multiple sifting techniques and painting with watercolors and china paints. We will make frames for this work by bending iron wire in imaginative designs and configurations.  

In addition to several different enameling techniques, this workshop will explore solutions to the presentation of enamels, using wire.  How can we set flat enamel elements and place them on the human body? How can we frame a flat enameled piece wall so that the frame enhances what the enameled piece has to say?

Enameling techniques that will be taught:            

  • Using liquid enamel to coat iron wire
  • Sgraffito through liquid enamel
  • pencil drawing on an enameled surface
  • painting with watercolor enamels
  • sifting to create complex layering

A basic understanding of enameling is required.

Jennifer Wells completed her M.F.A in Metalsmithing and Jewelry Design in 2010; afterwards she spent a year at Arrowmont School of Arts and Crafts as a resident artist, and also completed shorter-term residencies at Pocosin Arts and the Jentel Foundation. She has been a summer assistant for Haystack Mountain School of Craft and a Visiting Assistant Professor at Indiana University in Bloomington, IN. Until recently shehas taught Jewelry and Enameling in Italy with East Carolina University’s Italy Intensives program headed by Linda Darty.

Workshop Hours:

Wednesday – Friday, 10 AM to 5 PM , with meal breaks at the Crucible in Oakland,  CA

Cost: $425 plus $30 materials fee

Materials List: Provided upon registration or when ready

Registration: Limited to 10

Refund Policy: No refunds unless your workshop position can be filled by another person.

Lodging, Meals, Transportation:

Coming from out of town? Check AirBnB, Priceline, and other discounted online lodging sources, The Center will try help you make your stay comfortable and stress free while you are a workshop participant.

 

Large Scale Experimental Enameling- a workshop with John Killmaster

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Explore new innovative methods working in drawing, painting and shaping water and oil enamels fired on steel with John Killmaster, one of the most respected enamel masters working with large scale steel. Explore silkscreening, sand-enameling, granular spray, crayon, watercolor and mixed media on large-scale steel panels. We will be hammering steel and spot welding it into sculptural shapes. Other experimental possibilities: modular wall and free standing outdoor sculpture.

No prior enameling skills required.

This 4-day workshop will inaugurate the Center for Enamel Art’s new large scale workspace within KVO Industries in Santa Rosa, CA. It is also the 2nd in our Masters series of workshops .

John Killmaster ( MFA ’69, Cranbook Academy of Art) is an artist working in several mediums: painting, clay, and porcelain enameling. He lives in Boise, ID.  He was Professor of Art at Boise State University (1970-97). His work has been exhibited worldwide and is in many private collections. His work has been recognized with  the Lifetime Achievement Award from The Enamelist Society, the Governor’s Award for Excellence in the Arts from the State of Idaho and as a grantee for the Western States Arts Federation.
​Killmaster’s personal goal has been to gain recognition of the art form of enameling to be considered a “fine art”, along with glass, ceramics, painting, sculpture, printmaking  drawing and photography, and architecture.

This 4-day workshop will inaugurate the Center for Enamel Art’s new large scale workspace within KVO Industries in Santa Rosa, CA. It is also the 2nd in our Masters series of workshops .

Workshop Hours:

Friday-Monday, 10 AM to 5 PM at KVO Industries in the Center for Enamel Art dedicated space.
Optional facilitated evening work hours will be available for an additional fee.

Cost: $495 plus $40 materials fee, additional optional fee of $65 for three 2 1/2 hr. work sessions July 6-8.

Materials List: Provided upon registration or when ready

Registration: Limited to 10

Refund Policy: No refunds unless your workshop position can be filled by another person.

Lodging, Meals, Transportation:

Coming from out of town? Check AirBnB, Priceline, and other discounted online lodging sources, The Center will try help you make your stay comfortable and stress free while you are a workshop participant.

An Evening with John Killmaster- Thurs. July 5th

6 PM – 4 Maxwell Ct., Santa Rosa, CA
Free and open to the public – Light refreshments will be provided

The Center for Enamel Art invites you to attend an informative evening with John Killmaster who will be inaugurating our new Annex inside KVO Industries in Santa Rosa with his workshop July 6-9.

John has a lifetime of knowledge and experience to share. In this presentation he will be showing slides of the types of techniques he will be teaching in his workshop plus images of his work as he has developed as an educator, master enamel artist and painter.

Large Scale Enameling at KVO Industries

The Center for Enamel Art is proud to sponsor this program with our partner, KVO Industries, in Santa Rosa, CA. Our last weekend has been postponed until 2018 because of the turmoil caused by the extensive fires in Northern California, which came within 100 feet of KVO. Stay Tuned for news about the Center’s 2018 large-scale enameling program.

  Oct. 21-23

Register Now:  Oct.

 

  • If you are already working with porcelain enameled steel you will receive expert technical help. Note: these workdays are not workshops so there will be no formal instruction taking place although there will be lots of knowledge sharing.
  • If you are working in other 2-D media this is a wonderful opportunity to explore the creative potential of “porcelain” enamel for painters, drawers, and printmakers.
  • For artists working in the venue of “Art in Public Places”, creating large scale 2-dimensional or 3-dimensional “Site Specific” Art, this will give you the opportunity to experience a medium that is color-fast, and impervious to UV light and weather.
  • If you are looking to start a small business making beautifully designed functional objects and architectural elements that could incorporate porcelain enameled steel, this is the opportunity to make sample products for future small scale production runs.
  • If you have a commission or project that you would like to create in porcelain enameled steel you will be able to come to KVO for a discounted 3-day weekend (Sat.-Mon.) under the auspices of the Center for Enamel Art.
  • If you are in instructor wanting to bring a class to work or tour the facility you will be able to book your visit through the Center.

Most tools, equipment, and supplies will be provided or made available for purchase. After you register you will receive more detailed information on how to prepare for a working in the factory. Center for Enamel Art facilitators, will be on hand to assist all participants. KVO staff will provide technical assistance.

Cost:
$145 –  (including most materials and supplies) for individual workdays Saturdays and Sundays only. Facilitators and staff will be on hand.
$750 – day rate for class visits Saturdays and Sundays only. Maximum 10 participants plus instructor. Center facilitators and KVO staff will be on hand.
$750 –  3-day Residency – Saturday through Monday (must be booked for the entire 3 days). Please contact Judy Stone if you are considering a project booking through the Center.
If you would like to work for more than 3 days at KVO  you can book additional days directly with KVO.  Additional days may cost more per daily rate.
$250 –  2 hour factory tour for 25 participants max. These must be booked directly through the Center for Enamel Art and scheduled according to factory availability with KVO.

 

Painting enamels

Painting with enamels at KVO

About KVO

KVO is a small firm that specializes in interpretive porcelain enameled steel signage for exterior installation.  The company welcomes artists and has produced many public art commissions over the years.  They specialize in beautiful 4-color enamel photography, precise screen images, and unprecedented technical excellence of what they produce.  Artists can request quotes for projects or commissions and can also ask to come to the factory on a day rate to work on their own projects outside of those days set side for discounted rates by the Center for Enamel Art

About The Enamel Industry

The enamel industry is largely unknown to artists as a means to produce exterior installations that are long lasting, weather- and graffiti-impervious. The medium is suited to one-of-a kind creative functional objects for interior and exterior furnishings, architectural elements, garden and building design. Industrial work is usually made with steel or cast iron.

Enameling Recycled Steel for Jewelry and Objects – a workshop with Melissa Cameron

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Are you the magpie always collecting bits of rusty steel on the street? Are there bits of magnetic metal in your studio that you’ve tucked away, swearing that one day you’ll clean them up to make a masterpiece? Bring your rusty recycled bits and bobs to The Crucible in Oakland to learn the skills to turn these into beautiful and unique jewels.

This class will involve diagnosing scrap metals to find their suitability for enameling, proper enamel-on-steel surface preparation, liquid and sifted enamel application, trivet modifications (with titanium wire), and firing tips for steel. It will also include design tips for getting the most out of the enamel parts and to assist each participant in making their found pieces into wearable jewels and beautiful objects.

Attempts to Kill -vitreous enamel, recycled steel tortilla pan, titanium, stainless steel

There is great narrative potential with steel and enamel, owing to steel’s strength and durability over the other enamel metals. It can be used over much larger expanses, while remaining unexpectedly light. Steel is a chameleon, able to be used in luscious, precious looking works and the complete opposite, textured and dramatic displays, all able to be supplemented by the natural decay of steel. These inherent characteristics add richness to the colors and effects of enamel, and make it the ideal contemporary jewelry and object material.

 

Melissa Cameron was born in Perth, Australian in 1978. (BA interior architecture, Curtin University, Perth, 2002, MFA and metalsmithing, Monash University, Melbourne, 2009) She relocated to Seattle in 2012.

Melissa’s works have been exhibited worldwide and are in several prestigious collections. She has participated in enamel residencies in the UK and Germany and the Penland Winter Residency in the US and her pieces are featured in Jewel Book, Art Jewelry Today 3 and Lark Books’ 500 Silver Jewelry Designs, as well as the upcoming Tales from the Toolbox: Narrative Jewellery, edited by Mark Fenn. She is the recipient of multiple grants from the Australia Council for the Arts and a Fellowship grant from Artist Trust in Seattle. She has presented papers at many conferences and symposia. Her writing appears on Art Jewelry Forum. She currently serves on the Metalsmith Magazine Editorial Advisory Committee.

Melissa regularly teaches workshops  in Seattle, and was one of two featured enamelists teaching and presenting at the Enamel Guild Northeast Conference in 2015.

She recently won a best of show award for her pieces in the 2017 Alchemy 4 exhibition sponsored by the Enamelist Society.

Workshop Hours:

Wednesday – Friday, 10 AM to 5 PM , with meal breaks

Cost: $425 plus $20 materials fee

Materials List: Provided upon registration or when ready

Registration: Limited to 12

Refund Policy: No refunds unless your workshop position can be filled by another person.

Lodging, Meals, Transportation:

Coming from out of town? Check AirBnB, Priceline, and other discounted online lodging sources, The Center will try help you make your stay comfortable and stress free while you are a workshop participant.

Register Now