Archive for enameled copper

Separation Oil in Enamels with Gabrielle Castonguay (online)

By Jenn Parnell
 on September 10, 2021
 with no comments

         

Join world-renowned enamelist Gabrielle Castonguay for a two-day LIVE online intensive workshop on the use of separation oils with enamels.

Separation oil provokes a chemical reaction on the surface of enamel by modifying its viscosity, forcing expansion of the surface and allowing the underneath enameled layers to show. 

It is a powerful, fun and unique effect that helps enhance contrasts between transparents, opaques, and textures. When separation oil is applied accordingly to the requirements of the material it allows the enamelist to explore and play with stimulating effects of light and surfaces.

Whether you work large or small, separation oil opens up a world of possibilities for your work!

ALL LEVELS WELCOME! Prior enameling experience is recommended, kilns are required for this class.

REGISTER HERE!

Gabrielle S. Castonguay is an enamelist from Montréal, impassioned by enameling since the age of eleven when she started learning the art from one of the lead master enamelists in Quebec, Canada. She studied and graduated from Fine Arts, Theatre and Design programs from local Colleges and Concordia University in Montréal. For many years now Gabrielle has been back working as a full time enamelist, the essence of her true passion and the expression of her artistic engagement.

Her work is well known and well regarded in North America as well as the larger international enameling field. She specializes in enameling wall pieces, sculptures, vessels and integration of enameled metal pieces in design/architectural work. She was a faculty member of the Richmond Art Center, Richmond, California, teaching the art of enamel from 2012 to 2014. She has exhibited in Canada, Europe, the USA and Japan, and her work is part of private collections in Canada, the USA, South America and Europe. She co-curated the national Canadian Enamel Exhibition 2013: “Fire and Fusion”. She has been awarded several grants for her work over the years.

 

 

 

Workshop Hours:

Friday and Saturday 10 AM to 5PM Pacific Time, 1 hour break in the middle of the day. 

September 10 & 11, 2021

Cost: $375

Materials List: Provided after registration

Registration: Maximum of 15

Refund Policy: No refunds unless your workshop position can be filled by another person.

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Granular Spray, Sgraffito, and Watercolor Enamel with Alisa Looney (online)

By Jenn Parnell
 on June 19, 2021
 with no comments

Granular Spray, Sgraffito & Watercolor Enamel with Alisa Looney (online)

       

Expand your artistic tool kit by learning to sgraffito with ease in liquid enamel, and no more chipping! We will work on pre-enameled steel, adding layers of glass with granular spray, sgraffito and watercolor techniques to create colorful, custom surface treatments.  

Join Alisa Looney as she shows us how to use spray application to achieve a buttery smooth surface and create extremely detailed sgraffito designs. Alisa will show you how to add color with watercolor enamels on top of your sgraffito for a rich, layered, and colorful effect!

Design, cut and prepare pre-enameled steel for enameling. Copper shapes can also be used. Learn to apply white liquid enamel with the granular spray technique, resulting in a powdered finish that allows you to sgraffito (scratch) clean lines with ease and control when making marks, textures and/or drawings into the surface. Experiment with several sgraffito tools to create varied line qualities and thicknesses in mark making such as cross hatching, stippling, brushing and combing.  This technique opens avenues for the freedom to work in any virtually any style: loose and expressive or detailed and precise. After firing the white layer, you will add depth and color by painting with Watercolor Enamels. Appropriate kiln-firing temps and techniques for each layer will be covered. You can expect to complete a series of small panels and jewelry elements during this workshop. Live demos and instruction in four separate three-hour zoom sessions will allow plenty of time to practice between sessions.

ALL LEVELS WELCOME! Prior enameling experience is recommended. Kilns are required for this workshop.

REGISTER HERE!

Best known for her award winning outdoor sculptures, Alisa Looney has exhibited in the U.S. and Canada. Her work is in a multitude of private and public collections, including Maryhill Museum of Art in Goldendale, WA, and several U.S. cities in the Northwestern United States. Her enamel on steel sculptures have been exhibited in The Enamelist Society’s International Biennial Exhibitions: Alchemy 4 & 5, and published in The Art of Fine Enameling. Alisa expresses her ideas through sculpture, dance, painting and enameling in her Bend, OR, studio that she shares with her husband, woodblock printer Wade Womack.  She fell in love with metal arts as a silver smith in her early years, received her BFA in Design from Boise State University in 1983 and began welding in 1998.  Alisa returned to Idaho in 2010 to study enameling with her past BSU Professor Emeritus, John Killmaster. This created the opportunity for her to merge metal sculpture and narrative imagery into what she considers her most precious work to date. With John’s blessing, Alisa teaches these enameling techniques in her studio and is currently developing online classes for enamellists near and far.     https://alisalooney.com 

 

Workshop Hours:

Saturday and Sundays  10 AM to 1PM Pacific Time

June 19, 20, 26, and 27, 2021

Cost: $375

Materials List: Provided after registration

Registration: Maximum of 15

Refund Policy: No refunds unless your workshop position can be filled by another person.

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Pattern Forming and Enameling on Dimensional Surfaces with Nash Quinn (online)

By Jenn Parnell
 on February 6, 2021
 with no comments

Pattern Forming and Enameling on Dimensional Surfaces 

In this workshop, join Nash Quinn as we explore the ways a flat sheet of metal can be transformed into a volumetric object using nothing but a jeweler’s saw and a carefully-designed template.  No soldering! Once formed, these vessels can be enameled using low-tech methods for adhering enamel to vertical surfaces. Finally, we will cover strategies for enhancing the finished enameled vessel, including basic silver fabrication and cold connection methods. This versatile technique of forming can be scaled up and down and opens a wide world of possibilities for three-dimensional enameling! 

This online LIVE interactive class focuses on design, technique, and craft.  Nash will walk you through the layout, cutting, forming, and enameling of these vessels step-by-step as you work alongside him in your own studio. Students can expect to complete at least one vessel during the class.

Students of all skill levels welcome, previous experience using a jeweler’s saw and basic enamel sifting and kiln firing is highly recommended. This class is not suitable for torch firing, kilns only– kilns should have a minimum interior firing chamber of 4″x4″x4″.

                             

Register HERE!

 

Nash Quinn is a metalsmith who works with a variety of materials, techniques, and formats.  Originally from Wyoming, he received his BFA from the University of Wyoming, and his MFA from Edinboro University of Pennsylvania. He was a faculty member at Rowan University and Munson Williams-Proctor Arts Institute, and has worked, taught, and exhibited artwork at craft schools and jewelry academies nationwide.

 

 

Workshop Hours:

Saturday and Sunday  10 AM to 5PM Pacific, 2 hour lunch break

February 6, and 7, 2021

Cost: $375

Materials List: Provided after registration

Registration: Maximum of 15

Refund Policy: No refunds unless your workshop position can be filled by another person.

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Enamel Oddities – a workshop with Keith Lewis

By Judy Stone
 on November 15, 2019
 with no comments

 

THIS WORKSHOP IS NOW FULL.
Email to be put on the waitlist.

This 3-day workshop will feature a number of somewhat unusual enameling techniques that are straightforward and simple, but which significantly expand the expressive potential of enameling. We will begin with a brief overview of basic painted enamel techniques including drawing directly onto enamel, the use of watercolor enamels, the preparation of enamel paints from raw oxides, the use of lusters, and other methods of painting.

After that we will explore four rendering methods in detail:

  1. The firing of graphite drawings into enamel, producing highly detailed and delicate images. We will learn how to prep the enamel for the pencil marks; how to blend, shade and use graphite washes; and how to build up layers and use overglazing in combination with painting techniques. As an alternative to kiln-firing we will learn a simple method of torch-firing that maximizes image clarity.
  2. The use of reflective glass beads (used on airport runways) to create unexpected optical effects. Demos will include the use of various sized beads, compatible enamel undercoats and the complex optical interactions that can be created.
  3. The use of synthetic aventurine (goldstone) to produce enamels that sparkle, a historical method virtually unknown in contemporary enamel circles.
  4. The application of delicate sgraffito drawings in gold leaf, a technique derived from Roman glass portrait rondels and adapted for enamels. Demos will focus on the crucial aspects of surface preparation and precise firing conditions that are necessary to achieve the effect.

 

Keith Lewis received his BS in Chemistry from Dickinson College (Carlisle, PA) in 1981 and his MFA in Jewelry & Metalsmithing from Kent State University (Kent, OH) in 1993. He has been teaching at Central Washington University since 1994, where he is currently a Distinguished Professor. His jewelry deals with issues of sexual identity, memory, loss, and the notion of jewelry as a transportable polemic. His work has been widely published and shown both nationally and internationally, and is represented in a number of significant public and private collections, including the Tacoma Art Museum, The Houston Museum of Fine Arts, The Rotasa Foundation (CA), The Museum of Arts and Design, The Smithsonian Institution, The Metropolitan Museum of Art and the Victoria and Albert Museum in London. He has served as a member of the Board of Directors of the Society of North American Goldsmiths (SNAG) and on the Metalsmith magazine Editorial Advisory Board.

Workshop Hours:

Friday-Sunday, 10 AM to 5 PM , with meal breaks at Silvera Jewelry School

Cost: $595 + $35 materials fee

Materials List: Provided upon registration or when ready

Registration: Limited to 9

Refund Policy: No refunds unless your workshop position can be filled by another person.

Lodging, Meals, Transportation:

Coming from out of town? Check AirBnB, Priceline, and other discounted online lodging sources, The Center will try help you make your stay comfortable and stress free while you are a workshop participant.

 

 

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Cloisonné: New Frontiers- a workshop with Aurélie Guillaume

By Judy Stone
 on July 23, 2019
 with no comments

THIS WORKSHOP IS NOW FULL.
Email to be put on the waitlist.

Join us as we push this ancient art into groundbreaking territory. Cloisonné is often used for small jewelry, but its precise lines and forms hold incredible potential for graphic, illustrative, whimsical, and narrative work. With cloisonné wire we will “draw” and create patterns, adding color and detail with ink pens, various underglazes, and bold, opaque colors. We will also troubleshoot the technical issues of these complex pieces.
Basic enameling experience required.

Aurélie Guillaume, born in Montréal, Québec (1990), is a French Canadian jeweler, enamelist and illustrator. Sshe is currently living and working in Montréal. Formally trained in the arts of jewelry and metalsmithing at the École de Joaillerie de Montréal, and at NSCAD University in Canada, she was first recognized for her work upon graduating as the winner of L.A. Pai Gallery’s 12th National student jewelry competition. Since then, she has participated in exhibitions throughout North America, Europe and Asia. In 2017, she had her first solo show in the United States at the late Reinstein & Ross Gallery in NYC. In 2018, she was one of the five finalists for the Art Jewelry Forum Artist Award.

Aurélie’s pieces have been acquired for the permanent collections of the Enamel Arts Foundation in Los Angeles, the Museum of Art and Design in New York, the University of Iowa Museum of art, and the Pureun Culture Foundation, Seoul as well as many major private collections. Her work has been featured in Metalsmith Magazine (Vol.36/No.5/2016) and in many exhibition catalogues and books.

 

Workshop Hours:

Tuesday -Thursday, 10 AM to 5 PM , with meal breaks at Silvera Jewelry School

Cost: $595 + $35 materials fee

Materials List: Provided upon registration or when ready

Registration: Limited to 9

Refund Policy: No refunds unless your workshop position can be filled by another person.

Lodging, Meals, Transportation:

Coming from out of town? Check AirBnB, Priceline, and other discounted online lodging sources, The Center will try help you make your stay comfortable and stress free while you are a workshop participant.

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