Archive for Technical – Page 2

Kat Cole Enamels Her Work at KVO Industries, Part 1

This is the sixth in a series of guest posts by the enamel artist Kat Cole. This post previously appeared on her blog

Note: It is at this point I would like to say thank you to the people that were integral to making my trip possible, those that were so generous to open up their homes to me and share their knowledge.  Judy, Brooke, Linda, Steve–you all were my cheerleaders through what was both an incredibly stressful and exciting experience and I cannot thank you enough.

kvo-1-1

Installation by Ellen Forney in Seattle bus station, made by KVO Industries

KVO Industries is located in picturesque northern California in the small town of Santa Rosa.  This operation has been fabricating porcelain enamel signage for the last 16 years and grew out of a larger factory that re-located away from Santa Rosa in 2000. KVO is a small company running impressive facilities with incredible possibilities.  They have made signage for the state and national park systems, large-scale outdoor images for cities and museums, and worked with artists to re-create images of their work in enamel for public projects. Read More →

Kat Cole Crates and Ships Steel Pieces to KVO Industries

This is the fifth in a series of guest posts by the enamel artist Kat Cole. This post previously appeared on her blog


crates-and-shipping-1The more sculpture I make, the more I realize one of the biggest hurdles is shipping. It is not as easy as picking up a flat rate USPS priority box and making sure to insure it, which is usually simple and inexpensive when shipping jewelry and small objects. The logistics of transporting these three- to four-foot panels to and from California has been one of the more stressful components of this project. Read More →

Construction of Kat Cole’s Piece Begins at KVO Industries

This is the fourth in a series of guest posts by the enamel artist Kat Cole. This post previously appeared on her blog


construction-1As I prepared to build the pieces, I asked for assistance from the experts at KVO Industries about fabricating and their construction techniques. Just as in jewelry, the function of these panels have to be considered in the design phase. Read More →

Art and the Enamel Industry w/ Kat Cole

We are thrilled to introduce a series of guest posts by the enamel artist Kat Cole.

Cole, who has been making distinctive enameled steel jewelry, met Center for Enamel Art founder Judy Stone last year when Cole taught a Radical Enameling workshop for the Center. Stone encouraged Cole to explore the expanded use of industrial materials in her work, and connected her to KVO Industries, a partner of the Center for Enamel Art, where Cole created a large sculptural piece. Cole’s posts give insight into her practice and process as she brings a new scale to her work.

We will begin republishing her entries next week. Join us, and her, as she learns to think big!


A Little History

Edward Winter Mexico

Edward Winter, “Mexico,” enamel, 1940. Cleveland Museum of Art

Enameling–technically defined as glass bonded to metal–can take many forms. Read More →

How Now Fred Ball?

The Center for Enamel Art is excited to host a guided bus tour on Saturday, June 25, of the work of noted Sacramento enamel artist Fred Ball.

To learn more and to register, click here

 


 

Ball sitting in front of tiles for The Way HomeFred Uhl Ball: The Legacy of a Pioneering Artist

Recently, I have been wondering about the legacy of one the most important American enamelists of the 20th century, Fred Uhl Ball (1945-1985). I never met him, though he lived, worked and taught in Sacramento, CA, about an hour from my home, and frequented the supply store in San Francisco where I bought my enamels. But even in absentia, Ball was a mentor to me. His book, Experimental Techniques in Enameling (1972), came out the same year I began enameling professionally, and formed the basis of my journey into enameling.Ball book cover

It was easy to be affected by Ball back then — his influence and presence resonated throughout northern California. He was an icon, the son of well-known Sacramento artists, and thoroughly of the area in which he lived. His work was commissioned and collected by a variety of patrons, and he produced several large-scale wall commissions for both public and private spaces. The most recognizable of his pieces, The Way Home, was installed on the side of a large parking garage in downtown Sacramento, and for many years was the featured image on the front of the Thompson Enamel catalogue.

Fred Ball's The Way Home on side of City parking garage Sacramento

“The Way Home,” installed on the side of a municipal parking garage in Sacramento

An Untimely Death

Ball died young, at a time when his potential seemed limitless. Read More →