Archive for Exhibitions – Page 2

How Now Fred Ball?

The Center for Enamel Art is excited to host a guided bus tour on Saturday, June 25, of the work of noted Sacramento enamel artist Fred Ball.

To learn more and to register, click here

 


 

Ball sitting in front of tiles for The Way HomeFred Uhl Ball: The Legacy of a Pioneering Artist

Recently, I have been wondering about the legacy of one the most important American enamelists of the 20th century, Fred Uhl Ball (1945-1985). I never met him, though he lived, worked and taught in Sacramento, CA, about an hour from my home, and frequented the supply store in San Francisco where I bought my enamels. But even in absentia, Ball was a mentor to me. His book, Experimental Techniques in Enameling (1972), came out the same year I began enameling professionally, and formed the basis of my journey into enameling.Ball book cover

It was easy to be affected by Ball back then — his influence and presence resonated throughout northern California. He was an icon, the son of well-known Sacramento artists, and thoroughly of the area in which he lived. His work was commissioned and collected by a variety of patrons, and he produced several large-scale wall commissions for both public and private spaces. The most recognizable of his pieces, The Way Home, was installed on the side of a large parking garage in downtown Sacramento, and for many years was the featured image on the front of the Thompson Enamel catalogue.

Fred Ball's The Way Home on side of City parking garage Sacramento

“The Way Home,” installed on the side of a municipal parking garage in Sacramento

An Untimely Death

Ball died young, at a time when his potential seemed limitless. Read More →

Part II: What Is Missing From This Picture?

This is the second of our two-part series, Challenges and Opportunities for Artists Who Choose Enamel, an essay by our intern Zhou Zoe Yuan. You can read the first part here.

We welcome comments on this article! Do you agree with the challenges and opportunities described here? What has your own experience been? Post in the comments section below or write us at


 

 

Fred Ball's wall installation Valley Fields at the Raley's corporate headquarters in Sacramento, CA - comprised of many smaller pieces

Visitors admire “Valley Fields,” a large-scale wall installation by Fred Ball, at Raley’s corporate headquarters in Sacramento, CA.

Enamel Exhibitions – Where Are They?

In addition to the dearth of educational resources, another major obstacle facing contemporary enamelists is Read More →

Is Enameling a Dying Art?

We are delighted to share with you a two-part essay, Challenges And Opportunities for Artists Who Choose Enamel, by our intern Zhou Zoe Yuan, a fourth-year student at California College of the Arts. It is an excellent exploration of enamel’s place in the art world and a wonderful starting point for a discussion of these issues.


Challenges And Opportunities for Artists Who Choose Enamel, Part I

by Zhou Zoe Yuan

A Little History

Schwarcz_June_2360_Vessel_01

Enameled vessel, 2360, by June Schwarcz, who began her enameling career in the 1950s. Collection of the Enamel Arts Foundation.

Enameling, the art of fusing glass to metal, is relatively invisible in the art world today. Read More →

“The more you know, the more you can do.”

This is the final post in our series of interviews with enamel artists included in the California Now exhibit at the Richmond Art Center. Read previous interviews here and here.


 

Dong_(a)

Nick Dong, “Self Portrait,” 2013, enamel on copper with graphite drawing, 24K plated copper

Nick Dong

Nick Dong studied painting and mixed media as an undergraduate, and metalsmithing and jewelry in graduate school at the University of Oregon, where Bettina Dittlmann introduced him to enameling. Dong lives in Oakland, CA, where he sits on the city’s public arts advisory committee and has a studio. His work can be found on his website, studiodong.com, and at Mercury 20 Gallery in Oakland. Read More →

“I was tempted by the colors, but I stayed for the lack of control”

With this post we continue our interviews with artists from the California Now exhibition at Richmond Art Center. Read the previous interview here


Markasky_(d)_self

Evelyn Markasky

Evelyn Markasky “became obsessed” with enameling after taking a two-week class with Deborah Lozier at Cabrillo College. Since then she has also taken a Radical Enameling Workshop with Andrew Kuebeck at the Richmond Art Center. She has worked with enamel for about ten years, and prizes its unpredictability. Read More →