Archive for Creativity – Page 5

Art and the Enamel Industry w/ Kat Cole

We are thrilled to introduce a series of guest posts by the enamel artist Kat Cole.

Cole, who has been making distinctive enameled steel jewelry, met Center for Enamel Art founder Judy Stone last year when Cole taught a Radical Enameling workshop for the Center. Stone encouraged Cole to explore the expanded use of industrial materials in her work, and connected her to KVO Industries, a partner of the Center for Enamel Art, where Cole created a large sculptural piece. Cole’s posts give insight into her practice and process as she brings a new scale to her work.

We will begin republishing her entries next week. Join us, and her, as she learns to think big!


A Little History

Edward Winter Mexico

Edward Winter, “Mexico,” enamel, 1940. Cleveland Museum of Art

Enameling–technically defined as glass bonded to metal–can take many forms. Read More →

How Now Fred Ball?

The Center for Enamel Art is excited to host a guided bus tour on Saturday, June 25, of the work of noted Sacramento enamel artist Fred Ball.

To learn more and to register, click here

 


 

Ball sitting in front of tiles for The Way HomeFred Uhl Ball: The Legacy of a Pioneering Artist

Recently, I have been wondering about the legacy of one the most important American enamelists of the 20th century, Fred Uhl Ball (1945-1985). I never met him, though he lived, worked and taught in Sacramento, CA, about an hour from my home, and frequented the supply store in San Francisco where I bought my enamels. But even in absentia, Ball was a mentor to me. His book, Experimental Techniques in Enameling (1972), came out the same year I began enameling professionally, and formed the basis of my journey into enameling.Ball book cover

It was easy to be affected by Ball back then — his influence and presence resonated throughout northern California. He was an icon, the son of well-known Sacramento artists, and thoroughly of the area in which he lived. His work was commissioned and collected by a variety of patrons, and he produced several large-scale wall commissions for both public and private spaces. The most recognizable of his pieces, The Way Home, was installed on the side of a large parking garage in downtown Sacramento, and for many years was the featured image on the front of the Thompson Enamel catalogue.

Fred Ball's The Way Home on side of City parking garage Sacramento

“The Way Home,” installed on the side of a municipal parking garage in Sacramento

An Untimely Death

Ball died young, at a time when his potential seemed limitless. Read More →

Enameling On Steel: Kat Cole’s Marvelous Workshop

Radical: thorough-going or extreme, especially as regards to change from accepted or traditional forms (from dictionary.com)

The Center for Enamel Art has thoroughly embraced this definition with their Radical Enameling workshops! One of the most recent, “Liquid Form Enamel and Enameling on Steel,” taught by instructor Kat Cole at the Richmond Art Center, took the art form in fascinating new directions.

 

Materials

Kat Cole applying liquid enamel_1

Kat Cole applies liquid enamel to a sample in her Radical Enameling workshop with the Center for Enamel Art.

During the three-day workshop we learned Read More →

Part II: What Is Missing From This Picture?

This is the second of our two-part series, Challenges and Opportunities for Artists Who Choose Enamel, an essay by our intern Zhou Zoe Yuan. You can read the first part here.

We welcome comments on this article! Do you agree with the challenges and opportunities described here? What has your own experience been? Post in the comments section below or write us at


 

 

Fred Ball's wall installation Valley Fields at the Raley's corporate headquarters in Sacramento, CA - comprised of many smaller pieces

Visitors admire “Valley Fields,” a large-scale wall installation by Fred Ball, at Raley’s corporate headquarters in Sacramento, CA.

Enamel Exhibitions – Where Are They?

In addition to the dearth of educational resources, another major obstacle facing contemporary enamelists is Read More →

Is Enameling a Dying Art?

We are delighted to share with you a two-part essay, Challenges And Opportunities for Artists Who Choose Enamel, by our intern Zhou Zoe Yuan, a fourth-year student at California College of the Arts. It is an excellent exploration of enamel’s place in the art world and a wonderful starting point for a discussion of these issues.


Challenges And Opportunities for Artists Who Choose Enamel, Part I

by Zhou Zoe Yuan

A Little History

Schwarcz_June_2360_Vessel_01

Enameled vessel, 2360, by June Schwarcz, who began her enameling career in the 1950s. Collection of the Enamel Arts Foundation.

Enameling, the art of fusing glass to metal, is relatively invisible in the art world today. Read More →