Author Archive for Center for Enamel Art – Page 6

Project Crossroads

This is the first in a series of blog posts by the enamel artist Kat ColeCole, who has been making distinctive enameled steel jewelry, met Center for Enamel Art founder Judy Stone last year when Cole taught a Radical Enameling workshop for the Center. Stone encouraged Cole to explore the expanded use of industrial materials in her work, and connected her to KVO Industries, a partner of the Center for Enamel Art, where Cole created a large sculptural piece. Cole’s posts, which she is also sharing on her own blog, give insight into her practice and process as she brings a new scale to her work.


blog 1 image 1New things are happening in the studio.  Actually, it is a new studio, acquired to make room for a very large new project.

For almost ten years I have been exploring the often complex relationship between vitreous enamel and steel.   I love the variability of the steel alloys I use in my work as they bond with the enamel in the kiln.  One of my key interests in steel is the ability to shift scale from the minute to the monumental. Read More →

Art and the Enamel Industry w/ Kat Cole

We are thrilled to introduce a series of guest posts by the enamel artist Kat Cole.

Cole, who has been making distinctive enameled steel jewelry, met Center for Enamel Art founder Judy Stone last year when Cole taught a Radical Enameling workshop for the Center. Stone encouraged Cole to explore the expanded use of industrial materials in her work, and connected her to KVO Industries, a partner of the Center for Enamel Art, where Cole created a large sculptural piece. Cole’s posts give insight into her practice and process as she brings a new scale to her work.

We will begin republishing her entries next week. Join us, and her, as she learns to think big!


A Little History

Edward Winter Mexico

Edward Winter, “Mexico,” enamel, 1940. Cleveland Museum of Art

Enameling–technically defined as glass bonded to metal–can take many forms. Read More →

Open Call for Articles

Join the dialogue! 

Helen Elliot critique

Helen Elliott critiquing student work in a Radical Enameling workshop, “Enameled Steel for Large Scale Art: Working in an Industrial Setting”

We want to expand the critical conversation about enameling among enamelists, other artists, collectors, art historians, and the general public. Our goal is to support the growth of enameling as an art practice and help establish it as a respected art form.

We need your help.

We know that our readers are talented, experienced, and opinionated, and we would love to help you reach a broader audience. We are looking for critical contributions on a variety of topics, including Read More →

Enameling On Steel: Kat Cole’s Marvelous Workshop

Radical: thorough-going or extreme, especially as regards to change from accepted or traditional forms (from dictionary.com)

The Center for Enamel Art has thoroughly embraced this definition with their Radical Enameling workshops! One of the most recent, “Liquid Form Enamel and Enameling on Steel,” taught by instructor Kat Cole at the Richmond Art Center, took the art form in fascinating new directions.

 

Materials

Kat Cole applying liquid enamel_1

Kat Cole applies liquid enamel to a sample in her Radical Enameling workshop with the Center for Enamel Art.

During the three-day workshop we learned Read More →

Part II: What Is Missing From This Picture?

This is the second of our two-part series, Challenges and Opportunities for Artists Who Choose Enamel, an essay by our intern Zhou Zoe Yuan. You can read the first part here.

We welcome comments on this article! Do you agree with the challenges and opportunities described here? What has your own experience been? Post in the comments section below or write us at


 

 

Fred Ball's wall installation Valley Fields at the Raley's corporate headquarters in Sacramento, CA - comprised of many smaller pieces

Visitors admire “Valley Fields,” a large-scale wall installation by Fred Ball, at Raley’s corporate headquarters in Sacramento, CA.

Enamel Exhibitions – Where Are They?

In addition to the dearth of educational resources, another major obstacle facing contemporary enamelists is Read More →