Author Archive for Judy Stone – Page 7

Enameling On Steel: Kat Cole’s Marvelous Workshop

By Judy Stone
 on December 9, 2015

Radical: thorough-going or extreme, especially as regards to change from accepted or traditional forms (from dictionary.com)

The Center for Enamel Art has thoroughly embraced this definition with their Radical Enameling workshops! One of the most recent, “Liquid Form Enamel and Enameling on Steel,” taught by instructor Kat Cole at the Richmond Art Center, took the art form in fascinating new directions.

 

Materials

Kat Cole applying liquid enamel_1

Kat Cole applies liquid enamel to a sample in her Radical Enameling workshop with the Center for Enamel Art.

During the three-day workshop we learned Read More →

In categories Creativity, Technical, Uncategorized, Workshops Tagged with , , ,

Part II: What Is Missing From This Picture?

By Judy Stone
 on September 28, 2015

This is the second of our two-part series, Challenges and Opportunities for Artists Who Choose Enamel, an essay by our intern Zhou Zoe Yuan. You can read the first part here.

We welcome comments on this article! Do you agree with the challenges and opportunities described here? What has your own experience been? Post in the comments section below or write us at blog@enamelcenter.org

 

 

Fred Ball's wall installation Valley Fields at the Raley's corporate headquarters in Sacramento, CA - comprised of many smaller pieces

Visitors admire “Valley Fields,” a large-scale wall installation by Fred Ball, at Raley’s corporate headquarters in Sacramento, CA.

Enamel Exhibitions – Where Are They?

In addition to the dearth of educational resources, another major obstacle facing contemporary enamelists is Read More →

In categories Creativity, Exhibitions, Uncategorized Tagged with , , , ,

Is Enameling a Dying Art?

By Judy Stone
 on September 21, 2015

We are delighted to share with you a two-part essay, Challenges And Opportunities for Artists Who Choose Enamel, by our intern Zhou Zoe Yuan, a fourth-year student at California College of the Arts. It is an excellent exploration of enamel’s place in the art world and a wonderful starting point for a discussion of these issues.

Challenges And Opportunities for Artists Who Choose Enamel, Part I

by Zhou Zoe Yuan

A Little History

Schwarcz_June_2360_Vessel_01

Enameled vessel, 2360, by June Schwarcz, who began her enameling career in the 1950s. Collection of the Enamel Arts Foundation.

Enameling, the art of fusing glass to metal, is relatively invisible in the art world today. Read More →

In categories Creativity, Exhibitions Tagged with , , , , ,

Helen Elliott: Enamel on Steel

By Judy Stone
 on September 6, 2015

Elliott workingHere, we have shared portions of an interview that Helen Elliott conducted with the Enamel Guild Northeast this spring, in which she talks about her process and her inspirations.  Read More →

In categories Interviews, Workshops Tagged with , , ,

“The more you know, the more you can do.”

By Judy Stone
 on August 19, 2015

This is the final post in our series of interviews with enamel artists included in the California Now exhibit at the Richmond Art Center. Read previous interviews here and here.

 

Dong_(a)

Nick Dong, “Self Portrait,” 2013, enamel on copper with graphite drawing, 24K plated copper

Nick Dong

Nick Dong studied painting and mixed media as an undergraduate, and metalsmithing and jewelry in graduate school at the University of Oregon, where Bettina Dittlmann introduced him to enameling. Dong lives in Oakland, CA, where he sits on the city’s public arts advisory committee and has a studio. His work can be found on his website, studiodong.com, and at Mercury 20 Gallery in Oakland. Read More →

In categories Creativity, Exhibitions, Interviews Tagged with , , ,
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