Author Archive for Judy Stone

Tools and Supplies: A Conundrum, Part 1

Here is a conundrum: If vitreous enamels, and related tools and supplies, aren’t readily available, people can’t enamel.  If people can’t enamel, suppliers can’t sell supplies.  This chicken-and-egg problem is a huge obstacle for the growth of enameling in the U.S. and worldwide. How do people who use vitreous enamel deal with this conundrum? How does it shape enameling today, and how will it affect enameling’s future?

Share the Heat is pleased to announce a series of blogposts about tools and supplies for the enameling community. We will be examining the state of supply availability in interviews with several small independent U.S. suppliers, including Coral Shaffer of Enamelwork Supply, and Scott Ellis of e-namels.com. We will also be posting insider tips on how to find supply resources.

  • Part 1 of this introduction will give a little background and recent history in order to put the tool/supply conundrum into perspective. It will focus on why supplies, especially enamel powders  are not easy to find; why there is not much diversity in enamels that are available for sale; and why quality and customer service are sometimes problematic.
  • Part 2 will be about industrial enameling supplies and tools specific to enameling, such as firing  and application tools.
  • Part 3 will focus on how the internet has changed availability and information about supplies and supply sources.

The Center for Enamel Art is committed to helping enamelists in their professional development. We believe strongly in the sharing of resources of all kind. We hope that this series of posts begins a much-needed discussion about one problem that has hindered the growth of enameling as a recognized art medium.

 

Where have all the manufacturers gone?

putting enamel in a ball mill

Before Thompson

First, let’s look at the evolution of enameling in the U.S. over the last hundred years.  Read More →

How Now Fred Ball?

The Center for Enamel Art is excited to host a guided bus tour on Saturday, June 25, of the work of noted Sacramento enamel artist Fred Ball.

To learn more and to register, click here

 


 

Ball sitting in front of tiles for The Way HomeFred Uhl Ball: The Legacy of a Pioneering Artist

Recently, I have been wondering about the legacy of one the most important American enamelists of the 20th century, Fred Uhl Ball (1945-1985). I never met him, though he lived, worked and taught in Sacramento, CA, about an hour from my home, and frequented the supply store in San Francisco where I bought my enamels. But even in absentia, Ball was a mentor to me. His book, Experimental Techniques in Enameling (1972), came out the same year I began enameling professionally, and formed the basis of my journey into enameling.Ball book cover

It was easy to be affected by Ball back then — his influence and presence resonated throughout northern California. He was an icon, the son of well-known Sacramento artists, and thoroughly of the area in which he lived. His work was commissioned and collected by a variety of patrons, and he produced several large-scale wall commissions for both public and private spaces. The most recognizable of his pieces, The Way Home, was installed on the side of a large parking garage in downtown Sacramento, and for many years was the featured image on the front of the Thompson Enamel catalogue.

Fred Ball's The Way Home on side of City parking garage Sacramento

“The Way Home,” installed on the side of a municipal parking garage in Sacramento

An Untimely Death

Ball died young, at a time when his potential seemed limitless. Read More →

“The more you know, the more you can do.”

This is the final post in our series of interviews with enamel artists included in the California Now exhibit at the Richmond Art Center. Read previous interviews here and here.


 

Dong_(a)

Nick Dong, “Self Portrait,” 2013, enamel on copper with graphite drawing, 24K plated copper

Nick Dong

Nick Dong studied painting and mixed media as an undergraduate, and metalsmithing and jewelry in graduate school at the University of Oregon, where Bettina Dittlmann introduced him to enameling. Dong lives in Oakland, CA, where he sits on the city’s public arts advisory committee and has a studio. His work can be found on his website, studiodong.com, and at Mercury 20 Gallery in Oakland. Read More →

“I was tempted by the colors, but I stayed for the lack of control”

With this post we continue our interviews with artists from the California Now exhibition at Richmond Art Center. Read the previous interview here


Markasky_(d)_self

Evelyn Markasky

Evelyn Markasky “became obsessed” with enameling after taking a two-week class with Deborah Lozier at Cabrillo College. Since then she has also taken a Radical Enameling Workshop with Andrew Kuebeck at the Richmond Art Center. She has worked with enamel for about ten years, and prizes its unpredictability. Read More →

“Fearless art is the best art of all”

Over the next few weeks we will post excerpts from interviews with several of the enamel artists in California Now, as well as images of their work. The exhibition runs through August 21st at the Richmond Art Center


ExhibitionPic

Victoria Montgomery

Victoria Montgomery worked primarily in metal until 2009, when, in her final semester at California College of the Arts, she stumbled on enameling in a class with Deborah Lozier. It has been, she says, “a love affair ever since.” Here, she tells us about her approach to her art, why mystery metals are so fun to enamel, and the rewards of being “materialistically rebellious.” Read More →